Hulk grabs $ 55 Million Debut

The Incredible Hulk" pulled his weight at the box office, debuting as the top weekend movie with $55.4 million.

The weekend's other new wide release, the fright flick "The Happening" opened a solid No. 3 with $30.5 million.

The top 20 movies at U.S. and Canadian theaters Friday through Sunday, followed by distribution studio, gross, number of theater locations, average receipts per location, total gross and number of weeks in release, as compiled Monday by Media By Numbers LLC are:

1. "The Incredible Hulk," Universal, $55,414,050, 3,505 locations, $15,810 average, $55,414,050, one week.

2. "Kung Fu Panda," Paramount, $33,612,594, 4,136 locations, $8,127 average, $117,289,932, two weeks.

3. "The Happening," Fox, $30,517,109, 2,986 locations, $10,220 average, $30,517,109, one week.

4. "You Don't Mess With the Zohan," Sony, $16,370,344, 3,466 locations, $4,723 average, $68,760,685, two weeks.

5. "Indiana Jones and the Kingdom of the Crystal Skull," Paramount, $14,741,834, 3,804 locations, $3,875 average, $276,524,265, four weeks.

6. "Sex and the City," Warner Bros., $9,788,353, 3,155 locations, $3,102 average, $119,522,016, three weeks.

7. "Iron Man," Paramount, $5,620,375, 2,403 locations, $2,339 average, $297,918,329, seven weeks.

8. "The Strangers" Universal, $4,024,485, 2,410 locations, $1,670 average, $45,287,220, three weeks.

9. "The Chronicles of Narnia: Prince Caspian" Disney, $3,165,013, 2,308 locations, $1,371 average, $131,904,474, five weeks.

10. "What Happens in Vegas," Fox, $1,667,587, 1,422 locations, $1,173 average, $75,755,145, six weeks.

11. "Baby Mama," Universal, $441,685, 453 locations, $975 average, $58,797,040, eight weeks.

12. "The Visitor" Overture Films, $420,928, 254 locations, $1,657 average, $6,621,330, 10 weeks.

13. "Made of Honor," Sony, $303,434, 357 locations, $850 average, $45,400,892, seven weeks.

14. "Forgetting Sarah Marshall," Universal, $287,625, 306 locations, $940 average, $62,106,520, nine weeks.

15. "Dr. Seuss' Horton Hears a Who!," Fox, $188,736, 294 locations, $642 average, $153,355,932, 14 weeks.

16. "Speed Racer," Warner Bros., $183,385, 260 locations, $705 average, $42,504,512, six weeks.

17. "Sea Monsters: A Prehistoric Adventure," National Geographic, $168,794, 48 locations, $3,517 average, $14,218,128, 37 weeks.

18. "Nim's Island," Fox, $165,442, 277 locations, $597 average, $46,694,283, 11 weeks.

19. "The Fall" Roadside Attractions, $152,713, 84 locations, $1,818 average, $1,364,206, six weeks.

20. "Then She Found Me," ThinkFilm, $140,762, 119 locations, $1,183 average, $3,020,648, eight weeks.

You Don't Mess with the Zohan

Director :Dennis Dugan
Writer :Adam Sandler
Genre :Action | Comedy
Plot :
Cast :
Adam Sandler
John Turturro

Emmanuelle Chriqui

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College RoadTrip

Director:Roger Kumble
Writer :Emi Mochizuki
Genre :Comedy | Family
Plot :
Choosing which college to attend can be the most exciting and thrilling time of a young womans life ... unless your overprotective father isnt quite ready to let you go. In this family comedy, Melanie (Raven-Symoné) is eagerly looking forward to her first big step towards independence when she plans a girls only road trip to check out prospective universities. But when her overbearing police chief father (Martin Lawrence) insists on escorting her instead, she soon finds her dream trip has turned into a nightmare adventure full of comical misfortune and turmoil.
Cast :

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KungFu Panda

Directors: Mark Osborne

Writer : John Stevenson
Genre : Animation | Action | Comedy | Family
Plot:
It's the story about a lazy, irreverent slacker panda, named Po, who is the biggest fan of Kung Fu around...which doesn't exactly come in handy while working every day in his family's noodle shop. Unexpectedly chosen to fulfill an ancient prophecy, Po's dreams become reality when he joins the world of Kung Fu and studies alongside his idols, the legendary Furious Five -- Tigress, Crane, Mantis, Viper and Monkey -- under the leadership of their guru, Master Shifu. But before they know it, the vengeful and treacherous snow leopard Tai Lung is headed their way, and it's up to Po to defend everyone from the oncoming threat. Can he turn his dreams of becoming a Kung Fu master into reality? Po puts his heart - and his girth - into the task, and the unlikely hero ultimately finds that his greatest weaknesses turn out to be his greatest strengths.

Cast:

Jack Black

Dustin Hoffman

Jackie Chan

Angelina Jolie

Lucy Liu




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`Dark Knight' nearly lives up to the hype

It's difficult to separate the movie from its mystique.

Even under ordinary circumstances, "The Dark Knight" would have been one of the most hotly awaited movies of the summer blockbuster season. The loss of Heath Ledger to an accidental prescription-drug overdose in January has amplified the buzz around the film and his crazed performance as the Joker to extraordinary levels.

Nothing could possibly satisfy that kind of expectation. "The Dark Knight" comes pretty close. Christopher Nolan's film is indeed an epic that will leave you staggering from the theater, stunned by its scope and complexity. It's also, thankfully, a vast improvement over his self-serious origin story, 2005's "Batman Begins."

As director and co-writer with his brother, Jonathan (David S. Goyer shares a story credit), Nolan has found a way to mix in some fun with his philosophizing. Ambitious, explosive set pieces share screen time with meaty debates about good vs. evil and the nature of and need for a hero.

Batman (Christian Bale) has been that guy. Now, he's not so sure he should be anymore. He's protected Gotham fiercely (and with some fierce toys), but the new district attorney, Harvey Dent (Aaron Eckhart), seems to be putting a dent in organized crime with help from Lt. Gordon (Gary Oldman). Perhaps Batman should return to his "normal" life as billionaire Bruce Wayne and leave the clean-up work to the professionals. Maybe he can even rekindle his romance with old flame Rachel Dawes (Maggie Gyllenhaal, taking over more than capably for Katie Holmes, although she doesn't get much to do, either).

And so "The Dark Knight" presents an existential crisis what comic-book hero doesn't suffer these? but does so in a totally different way from its predecessor. Whereas "Batman Begins" felt too solemn and introspective, this installment might actually be too fast. Like the Caped Crusader himself, speeding through the streets of Gotham City on his tricked-out Bat-Pod motorcycle, Nolan moves breathlessly from one scene to the next.

Trouble is, he's got such great vision and is so adept at creating a compelling mood, it makes you wish he'd held some moments for a beat or two longer, just to savor them and to let us do the same. A couple of scenes in Bruce's stark, crisply lit Bat-bunker come to mind, as does Batman's nighttime flight over a glittering Hong Kong. (Wally Pfister, a longtime Nolan collaborator who also shot "Batman Begins" and "Memento," returns as cinematographer. Hans Zimmer and James Newton Howard once again teamed up to compose the huge, sweeping score.)

Nolan was wise enough, however, to give Ledger plenty of room to shine albeit in the actor's indelibly perverse, twisted way. There's nothing cartoony about his Joker. Ledger wrested the role from previous performers Cesar Romero and Jack Nicholson and reinvented it completely.

Yes, he's funny, wringing laughs from both clever one-liners and maniacally grand schemes. He can be playful, finding unexpected avenues into the character: "You complete me," he purrs to Batman, mockingly borrowing Tom Cruise's classic line from "Jerry Maguire" and dashing all possibilities for the Caped One's imminent retirement.

But because there's no logic behind his mayhem, he's also truly terrifying. The terror he inflicts on Gotham is meticulously planned (the opening bank heist, shot with IMAX cameras, is a marvel of timing) and yet his sole inspiration is to create chaos, then watch the city squirm and burn.

That his attacks grow larger each time, regardless of the collateral damage, makes him so genuinely disturbing. Ledger seems to have understood that, and brings an appropriate and riveting unpredictability to the role. It's also a neat touch that his makeup, which looked like a slapdash effort from the start, steadily deteriorates, streaking, cracking and peeling away as the film progresses; it's an outward manifestation of his psychological spiral.

Back to Batman, though because theoretically, it is his movie, right?

Bale seems more assured than ever, now that he has more facets of Batman/Bruce's personality to reveal than he did in the last film. He's consistently proven he's capable of going to dark, scary places for his characters (see: "American Psycho," "Rescue Dawn") and this is no exception.

Also returning are Michael Caine as Bruce's butler, Alfred, and Morgan Freeman as gadget guru Lucius Fox. Both veterans help anchor the movie with a wisdom and calmness that's crucial when everything (and everyone) is in a state of turmoil. As for Oldman, he disappears into the role of Lt. Gordon and makes it look so effortless, he makes you forget he's acting.

Eckhart, the snarky star of "Thank You for Smoking," may seem an unusual choice to play a law-and-order kind of guy. Here, he's subtle enough to keep us guessing until nearly the end as to where his morals and allegiances truly lie (though eventually he will become the villainous Two-Face, as we know).

But the key showdown, of course, is between Batman and the Joker. Theirs is a relationship that's strangely symbiotic you could even call it codependent. Or as the Joker puts it, "You and I could do this forever."

If only.

"The Dark Knight," a Warner Bros. Pictures release, is rated PG-13 for intense sequences of violence and some menace. Running time: 152 minutes. Three stars out of four.

___

Motion Picture Association of America rating definitions:

G General audiences. All ages admitted.

PG Parental guidance suggested. Some material may not be suitable for children.

PG-13 Special parental guidance strongly suggested for children under 13. Some material may be inappropriate for young children.

R Restricted. Under 17 requires accompanying parent or adult guardian.

NC-17 No one under 17 admitted.

Iron Man 2' And 'Avengers' Are Set To Open Only A Year Apart

A release date has been set, the principal cast will be returning and honchos at Marvel are already talking up potential villains. Just one month after its release, the overwhelming success of "Iron Man" has everyone talking sequel — including director Jon Favreau, the one guy in this whole affair who isn't even officially committed to the project.

Unlike with actors, it's unusual for studios to sign directors to more than one film. And yes, Marvel is brand-new to the whole negotiating thing. But could it be that the reason Favreau isn't signed yet for "Iron Man 2" is because he really wants to do ... something else?

Favreau himself teased as much at the green carpet for "The Incredible Hulk," insisting that, despite the overwhelming success of "Iron Man," he'd still like to be considered for "The Avengers."

"I'd love to [direct 'The Avengers']. But they announced that it's coming out in 2011, and 'Iron Man 2' is coming out in 2010, so there's no way that I could direct both. They'll either change the date, or maybe I'll just do 'Avengers' and not 'Iron Man 2,' or maybe just 'Iron Man 2' and not 'Avengers.' I would have preferred for those two movies to be at least two years apart so I could be involved with both of them."

Given a choice between the two, Favreau seems to prefer "The Avengers," the superhero tag-team event that will showcase Captain America, Tony Stark and Bruce Banner, among others. Why? Because it will feature Captain America, Tony Stark and Bruce Banner, among others.

" 'Avengers' seems to be the more fun one," Favreau said. "You get to use all the heroes for that one."

Favreau insisted that he hasn't had any official meetings with Marvel about either.

If Favreau does wind up working on "Iron Man 2," it may be on a different story line than perhaps he originally intended. As early as last July, when MTV News visited the set of "Iron Man," Favreau was hinting that the sequel would follow the famed "Demon in a Bottle" arc, wherein Tony Stark battles alcoholism. (For goodness' sake, the first shot of Stark in the current "Iron Man" is of him holding a drink!)

There's no doubt that it was set up, but now it might not pay off, Favreau implied.

"I always said it was interesting. I still think that. [But I'd] like to see if the public is ready to see Tony Stark fall apart yet. They might want to see him grow as a superhero before then," Favreau said. "It's just one of the story lines that I find compelling and would lend itself well to being in the movie.

"You want to stand out," Favreau continued. "There are so many superhero films out. I mean, 'Hancock' seems like it deals with similar themes. I want to see how they handle it and how the public receives that."

But regardless of what develops in closed-door meetings between Favreau, Marvel, the screenwriters and Robert Downey Jr., there is one thing that Favreau is happy to divulge about the sequel, independent of whether he'll be directing.

"Happy Hogan will have more to do next time," he said of the character he played in the first film. Hogan had a much more developed presence in the comics and eventually scores a romance with Pepper Potts (Gwyneth Paltrow). "I had my hands full this time."

John Cusack takes on John McCain in political Ad

Why has John Cusack jumped into the political arena with a video saying John McCain is a war-profiteering clone of President George W. Bush?

"I know my opinion doesn't matter more than anyone else's and I just make films," he told The Associated Press in a phone interview Wednesday. "But I do feel you have to speak out, and that's what I'm doing."

The 30-second video, which went out to members of the liberal political activist group MoveOn.org on Wednesday, will begin airing on television Thursday. In it, Cusack offers a "pop quiz" to voters, asking them among other things: "Who supports keeping our troops in harm's way in Iraq but not the bipartisan G.I. bill of rights to support them when they return home?"

McCain and Bush both do, Cusack says, adding, "Bet you can't tell them apart."

The cost to air the ads is $45,000. They will appear nationally on the Bravo cable channel and in Washington, D.C., on CNN, MSNBC and Comedy Central.

In his latest film, the war satire "War Inc.," Cusack makes no secret that he believes the Iraq war was created to profit private businesses like Blackwater Worldwide and Bechtel Corp., which hold war-related contracts worth millions of dollars.

"I'm not going to pretend this thing in Iraq was some kind of free market utopia to spread the gospel of democracy through the Middle East," he told the AP from London, where he's at work on another project.

Cusack says he supports Democrat Barack Obama.

Although he has made such films as "War Inc." and last year's "Grace is Gone," in which he plays the husband of a soldier killed in Iraq, Cusack notes this has been his first high-profile foray into partisan politics.